SARI

SARI : One of the most sensuous of attire- the sari, adorns a woman to become modest and attractive in it. It is not cumbersome but a great antique that suits to any occasion. The great Indian women in different spheres of life, the rich and the poor admire and appreciate the style and strength of the sari.
Though one of the oldest apparels, there is something mystical about the way one wraps, folds, tucks and drapes a seamless piece of cloth: creating a form from the formless. The sari both conceals and reveals, depending on the weaver’s whim and conditioning. The versatile sari has its variety fashion in adorning in this multicultural society of India . The Style, texture varies from south to north and east to west in India . The latest trend in sari-blouses has become a style of added value to the wearer with a magnetic grace and attraction.
Saree is a rectangular piece of unstitched fabric which is draped in a very fascinating manner. The length of the this fabric is 6 yards ( 5 meters) long. This is a one piece of clothing which fits all.. fat or thin short or tall!!! The traditional 6 yard saree allows for generous pleating, and draping around the body and over the shoulders almost Grecian in style. The loose end of the fabric, which is thrown over the left shoulder, is known as ‘Pallu’. Pallu usually has extensive design or embroidery woven into it. There is a petticoat , or a slip, which is worn under the saree which holds the saree in place.Along with the saree is a blouse, which unattached to it. The blouse is a tight fitting item of clothing, and adds a fashion statement to the saree. The sleeve length of the blouse is dictated by the hottest Indian film stars. The sleeve length travels from full sleeves to half sleeves to sleeveless over a period of time. Saree is very flattering to all shapes and sizes and forgiving of the various flaws. It can ingeniously conceal the extra flab of fat, or it can accentuate the well proportioned curve -- It is just a matter of how you drape the saree. This garment is in style for over 5000 years for the simple reason of its simplicity and practical usage.
This demure garment is a very versatile garment too. The pallu has a very multi-purpose use to it. In case of slight chill in the air, put it around the shoulder like a shawl, if it gets very cold wrap it around the head like a scarf. The saree is so practical to wear that you can even run a marathon in it with out any problem
The Sari resembles as a canvas to the weaver, the block printer, the textile designer or the mill hand. A hand woven sari is the most organic attire one can wear. When you wear that hand-woven sari, you are paying your tribute to our craft persons who have stubbornly struck to the skills and traditions thousands of years old. It is too easy to look to modernity and risk losing one’s poetry. Thus sari is not just attire but it embodies the warp and weft of life itself. The essential simplicity of the sari—an untailored length of cloth measuring between four and nine meters long by approximately one meter wide—is set against a wonderful variety of fabrics, colors, patterns, and draping styles. It displays the rich diverse regional traditions of color, pattern, and weave. The etymology (origin) of the word sari is from the Sanskrit word 'sati', which means strip of cloth. This evolved into the Prakrit 'sadi' and was later anglicised into sari.
A charming folktale explains... "The Sari, it is said, was born on the loom of a fanciful weaver. He dreamt of Woman. The shimmer of her tears. The drape of her tumbling hair. The colors of her many moods. The softness of her touch. All these he wove together. He couldn't stop. He wove for many yards. And when he was done, the story goes, he sat back and smiled and smiled and smiled."
History of Sari saris origins are obscure, in part because there are so few historical records in India. Yet, we know that Indians were wearing unsewn lengths of cloth draped around their bodies long before tailored cloths arrived.
One of the earliest depictions of a Sari-like drape covering the entire body dates back to 100 B.C. A North-Indian Terracotta depicts a woman wearing a Sari wound tightly around her entire body in the trouser style.
This elaborate body-hugging style represented in the terracotta may have evolved among India's temple dancers in ancient times to allow their limbs freedom of movement while at the same time maintaining their standards of modesty. There are many sculptures of Graeco-Indian Gandharan civilization which show a variety of different Sari draping styles.
It is commonly believed in India that today's petticoat or "Ghagra" and the blouse or "Choli" which are worn under the Sari are later additions which started with the coming of British in India. Increasing number of upper class women in the early 20th century did adopt items of European style clothing as the fitted blouse and slim petticoat. This was also adopted due to the fashion of transparent chiffon Saris during that particular period. Some of the wives of Indian Kings draped themselves in Saris that were made by Parisian designers.

The concept of beauty in ancient India was that of small waist and large bust and hips, as is evident in the sculptures of those times. And Sari seemed to be the perfect dress to flaunt those proportions as it exposes the waist of a woman and emphasizes the waist and bust with the pleated fabric. Sometimes women wore accessories like Girdle belt) with elaborate design around their waist to emphasize the hip area.
How to wear a Sari
Two essential parts of attire, that go along with the Sari, need to be chosen carefully to compliment the Sari. These are:
A petticoat which is a waist-to-floor garment, tied tightly at the waist by a drawstring. The petticoat color should match the base sari color as closely as possible. No part of the petticoat, of course, is visible outside the Sari, after having worn it.
A blouse which needs to be tight-fitting and whose color needs to be chosen keeping the look of the sari in mind, can be short sleeved or sleeveless, with a variety of necklines. The blouse ends just below the bust.
Start wearing the sari by tucking its plain/upper end into the petticoat, at a position which is a little bit to the right of the navel. Make sure that the lower end of the sari should be touching the floor, and that the whole length of the sari comes on the left-hand side. Now wrap the sari around yourself once, with the sari now coming back in the front, on your right side.Make about 5 to 7 pleats of equal width of 5 inches, starting at the tucked-in end. Gather the pleats together, neatly, ensuring that the lower edge of the pleats are even and just off the ground and that the pleats fall straight and evenly. A safety pin may be used to stop the pleats from scattering.
Neatly tuck the pleats into the petticoat, at the waist, slightly to the left of the navel, in such a manner that they open to your left.
Drape the remaining fabric around yourself once more left to right, and bring it round your hips to the front, holding the top edge of the sari.

Slightly raise the remaining portion of the Sari on your back, bringing it up under the right arm and over the left shoulder so that the end of the Sari falls to about the level of your knees.
The end portion thus draped, from the left shoulder onwards, is called the Pallav or the Pallu, and can be prevented from slipping off teh shoulder, by fastening it at the shoulder to the blouse with a small safety pin.
Different regions of India have their own distinct forms of draping a Sari.
Gujarati way: This version of draping, ccommonly known as the seedha pallu way, is also found in parts of Uttar Pradesh, Madhya Pradesh, Rajasthan and Bihar. Instead of opening to the left, the pleats are tucked so that they open to the right. Then, the pallu is taken to the back and brought over the right shoulder. It is then spread across the chest, and the left edge is tucked in the petticoat at the back.
Maharashtra method: Instead of the usual five-and-a-half meters, the sari in this version measures eight meters. One portion of the sari is drawn up between the legs and tucked in behind at the waist, while another portion is draped as a pallu over the bosom. Thus it forms a kind of divided sari, allowing greater freedom of movement.
Tamilian version: Like the Maharashtra version, the sare in this version, too, measures eight meters. After wrapping around the waist, the pleats are positioned along the left leg. The rest of the sari is taken over the left shoulder, wrapped once again round the waist and tucked on the left side.
Bengali style: The sari is worn pleatless; it is wrapped around the waist, brought back to the right side and the pallu is thrown over the left shoulder. The pallu is then brought up under the right arm and once again cast over the left shoulder.